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From fireworks to kid-friendly countdowns to full-on glam, there are so many ways to ring in 2026.
REVIEW: Reliving the ‘60s with Catch-22 at Curio Theatre
Is this once-iconic satire still viable, or a historical curiosity? That is the question.
Four Local Bands You Need to See This Month
The amount of musical talent coming out of Philly lately is unprecedented.
REVIEW: In Our Few and Evil Days at Inis Nua, Family History Goes Awry
What’s most unsettling here happens quietly in the shadows.
People Are Literally Selling Their Bon Jovi Tickets for $6
You can see Bon Jovi in Philly for less than the cost of a cheesesteak.
REVIEW: In 1812 Productions’ Hope and Gravity, Romance has its Ups and Downs
Michael Hollinger’s funny and clever play could use more gravity.
REVIEW: Sing the Body Electric at Theatre Exile is a World Lit by Lightning
In Michael Hollinger’s perplexing but enchanting play, getting there is the best part.
The exhibit features 150 real human specimens — including 20 whole-body plastinates — to explore the human condition.
A new way to date, a vampire museum, a soprano turned burlesque star, and dance parties for the early birds
REVIEW: A Sparkling and Poignant La Traviata at AVA
The vocal standards are high, and the pleasure of discovering new talent always exhilarating.
Three Aerial Pools Worth Sneaking Into
Dare to dip. (C’mon, you know you’ve thought about it.)
The Air Up There: The Philadelphian’s Guide to Rooftop Living
Philly has suddenly become an elevated town. Here, how to make the most of local rooftops this season.
Six Questions with Daniela Mack, Opera Philadelphia’s Carmen
Mack, who opened the season creating a new role, is now back in an iconic one.
When the Sky Was the Limit: A Flashback to Philly’s First World’s Fair
The latest episode of “Philadelphia: The Great Experiment” airs on Thursday night.
Your handbook on fun ways to survive — and thrive — during the coldest time of the year
Here’s the best of the best to add to your calendar.
REVIEW: With Madaket Road, a Long, Intriguing Journey Comes to a Close
John Guare’s monumental Lydie Breeze trilogy ends movingly, if not entirely clearly.
REVIEW: At Walnut Studio, Andrew Llloyd Webber with Tears but no Chandeliers
A rare opportunity to see Tell Me on a Sunday reveals a good idea, flawed in the execution.
REVIEW: In The Wild Duck, Dark Family Secrets with Ironic Humor
Quintessence’s production is problematic, but at least the problems are interesting.
Five Philly Musicians Who Should Have Beaten Bon Jovi to the Hall of Fame
With yet another Jersey act getting the nod this week, we highlight some overlooked Philadelphians.
