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Honor the legacy of the civil rights leader with these events and service opportunities.
PREVIEW: This Is The Week That Is Laughs at Our Crazy World
The 1812 Productions’ team on how and why they make funny in the Age of Trump.
REVIEW: Arden’s Every Brilliant Thing is a Tour de Force for Scott Greer
Philly’s collective love affair with this superb actor has never been more heartfelt.
REVIEW: A Treasurable The Color Purple at Theatre Horizon
This gloriously intimate, profoundly moving production finally gets the show exactly right.
Where to See Live Music Around Philadelphia
The best concert venues around Philly where you can spend a night on the town.
REVIEW: At Quintessence, “Oliver!,” Twisted
Director Alexander Burns’ sometimes imaginative rethinking cannot redeem Lionel Bart’s awful musical.
REVIEW: Marilyn Maye Scores a Home Run at Dino’s Backstage
Singing doesn’t get better than this.
The exhibit features 150 real human specimens — including 20 whole-body plastinates — to explore the human condition.
A new way to date, a vampire museum, a soprano turned burlesque star, and dance parties for the early birds
REVIEW: Arden’s A Doll’s House, Part 2 Leaves the Door Ajar
This glossy but glib production is enjoyable but adds little of substance to Ibsen’s original.
REVIEW: In Salt Pepper Ketchup, A Not So Beautiful Day in the Neighborhood
The restaurant setting has a sense of authenticity; the action in it, not so much.
REVIEW: In Wilma’s Mr. Burns, A Post-Electric Play, Let There Be Light… Please!
This frantic, antic production doesn’t illuminate Anne Washburn’s poignant satire.
The 23 Best Events in Philly in November
Here are the month’s hot tickets.
This Halloween Season, See Horror Movies the Way They Were Meant to Be Seen
On a big screen … and in the dark.
Your handbook on fun ways to survive — and thrive — during the coldest time of the year
Here’s the best of the best to add to your calendar.
REVIEW: In Sweat, Reading, Pennsylvania Becomes a Microcosm of America
Both play and production are honorable but flawed, though signs are positive for the Philadelphia Theatre Company.
REVIEW: In Arthur Miller’s All My Sons, the Too-High Cost of Doing Business
Curio’s homerun production breathes new life into a turgid melodrama.
REVIEW: In Detroit ‘67, Home is Where the Heart and Heartbreak Are
Dominique Morisseau’s meaty, thought-provoking play gets a terrific production at McCarter.
The Know-It-All Guide to Late-Night Philly
34 things to eat, drink and do in the wee hours of the morn.