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David Fox

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THEATER: The Color Purple Makes a Joyful Noise at the Forrest Theatre

Should you see this emotionally gripping, vocally resplendent show? Hell yes!

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REVIEW: In The Brownings, A Pair of Great Romantic Poets Work Blue

A terrific production and some clever, caustic wit don’t quite add up to a play.

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Q&A with 11th Hour Theatre’s Michael O’Brien

The actor and artistic director talks about the Barrymore Awards, and upcoming performances of Sondheim’s Company.

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Review: Eugene Onegin, Seen Through a Snowglobe

Despite exquisite moments, the Curtis production feels drained of emotional energy.

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By the Bog of Cats—Medea, We Hardly Know Ye

Lovely actor work at IHT, but the play has Multiple Personality Disorder.

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Making Your Family into Art in Azuka’s The Gap

Is it theater or therapy? You’ll need to judge for yourselves.

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Blood Wedding Is A Marriage of Compromises

Having deconstructed Lorca’s play, this production can’t make it whole again.

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In Broken Stones, A Political Tale Goes Down the Rabbit Hole

There’s a play here, somewhere. Good luck finding it.

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THEATER REVIEW: TouchTones, The Phone Sex Musical—Sorry, Wrong Number

This limp, by the numbers musical at the Arden lacks not only an erotic charge, but even general interest

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In Theatre Exile’s Ideation, Consultants Pitching for their Lives

The ideas fly fast, furious, and ominous in Aaron Loeb’s entertaining satire.

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James Ijames: Philly’s Breakout Bard

The actor shares some of his most recent milestones.

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In The Swallowing Dark at Inis Nua, Action is Subjugated to Storytelling

Lizzie Nunnery’s earnest but inert play lacks a sense of forward momentum.

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In Carousel at Media, Life Lived Fully in a One-Horse Town

This production is small-scale but often imaginative and satisfying.

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In Arden Theatre’s Cabaret—Garter Belts, Nipples, and Oh, Yes… Nazis

The emphasis on louche sexual openness, meant to shock the audience, instead makes this production feel less dangerous.

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O Festival Diary—Day V: The Wake World Is O17’s Glamorous Swan Song

David Hertzberg’s opera is dramatically pretentious, musically gorgeous, and very much An Event.