David Adjmi’s clever but thin play offers theatrical showmanship but not much else.
Alan Harris’s rollercoaster of a play is a hint of Spring renewal in the depths of February.
Mastery of style is everywhere in this jewel of a show that is wistful, wry, and deeply touching.
The fanfare of the movie’s theme may be more recognizable, but it’s a quiet duet that’s the real heart and soul of the Rocky love story.
Here’s everything we know so far.
Julio Torres, Marie Antoinette, Rob Sheffield and more.
How could some very talented people deliver a show so devoid of authenticity?
But why isn’t there more light and clarity in this moody but muddy work about illuminated manuscripts?