Screening of The Maestro at Curtis Institute

From left: Melissa Page, Heath Saunders, cinematographer for Maestro, and Megan Hudson, the film's executive producer.

From left: Kristen Loden, senior vice president of development at Curtis Institute of Music, judge Thomas Watkins and Penelope P. Watkins of the board of trustees of the Curtis Institute of Music.

Elena Tretyakova and Gus Bruno.

From left: James Thomas, Elyse Murphy and Jason Green.

From left: Tiffany Donnelly, Mary Jo Donnelly, Anne Ravert and Bobby Towcimak.

From left: Inna Heasley, James Heasley and David Ludwig, composer.

From left: Ashley Cop, executive producer, Holly Saunders, Lana Cop and Pam Henderson.

From left: Virginia Crawford, Allison Johnson and Don Crawford.

From left: Dr. Carl and Ruth Brighton with Dr. Sue and Luke Terrell.

David Donnelly, director and writer of Maestro, Tatiana Berman, art director, Anne Raver and Bobby Towcimak, associate director, customer centricity at Merck Activites. Donnelly says that orchestras are more than just organizations that perform music. They have a direct impact on local economies and that is what he intended to show in his documentary.

From left: Penelope P. Watkins, John J. Medveckis, trustee at The Curtis Institute of Music, and Caroline Kennedy.