Seven musicians from The Philadelphia Orchestra brass section will toot the “Star Spangled Banner” at tonight’s Phillies game at Citizen’s Bank Park. The ensemble includes Jennifer Montone, Jeffrey Lang, and Jeffry Kirschen on French horns, Robert W. Earley and Darin Kelly on trumpets, and Blair Bollinger and Brian Santero on trombones. In case the names don’t ring a bell, this is the same group who did that pop-up performance on a delayed plane last year that spread like wildfire across the Internet.
The engagement marks the homecoming of the Philadelphia Orchestra, which just returned from trips to Colorado and Asia, and the beginning of a busy week: On July 23rd and 24th, catch them at the Kimmel Center, where they’ll perform “A Tribute to the Beatles.” Then, on July 25th and 26th, they’ll perform “PIXAR in Concert.”
Tickets to all shows can be found here, and you can still snag seats to tonight’s game—when the Phillies take on the San Francisco Giants—here.
You know what the doctor says: A little music every day keeps the blahs away. To help, we round up a concert for every day of this week.
Piers Morgan sure had it wrong when he told Lindsey Stirling the world had no place for a dancing dub-step violinist during the 2010 season of America's Got Talent. (Today, her viral hit "Crystallize" has over 95 million YouTube views.) With a background in classical violin, Stirling may be the only musician out there creating powerful combinations of Celtic folk music with futuristic electronic beats. Monday, June 23rd, 8 p.m., Electric Factory, 421 North 7th Street.
Platinum-selling singer-songwriter Ben Folds brings The Ben Folds Orchestral Experience to Philly this Tuesday as part of his 2014 tour of collaborations with renowned orchestras across the globe. Join Folds and our own Philadelphia Orchestra for an evening of his successful pop hits and new piano concertos. Tuesday, June 24, 8:00 p.m., The Mann Center, 5201 Parkside Avenue.
Granddaughter of Woody Guthrie and grand-nephew of John Steinbeck: Not only have they formed a genius folk-rock group, but they're also husband and wife. The dynamic duo brings together their folk roots with creative new sounds in their most recent album, Wassaic Way, produced by Wilco's Jeff Tweedy and Patrick Sansone. Wednesday, June 25th, 8:30 pm., Boot & Saddle, 1131 South Broad Street.
Say Anything has had some rough patches over the years, but lead singer Max Bemis seems to have the rock band back on track with the recent release of their album Hebrews. The tracks on Hebrews are reflective of Bemis's own life, with the songs written after his daughter's birth bringing a tone of redemption rather than worry. Thursday, June 26th, 8:30 p.m., Electric Factory, 421 North 7th Street.
Friday: Clap Your Hands Say Yeah, $16
In 2005, indie rock group CYHSY proved that fame can still be attained without a record label or press agency. Their self-titled, self-produced album gained the attention of prominent music websites and blogs, and the rest was history. Lead singer Alec Ounsworth also gives CYHSY a Philly connection — while the other band members reside in Brooklyn, Ounsworth remains in Philly, and has released collaborations with Philly's Dr. Dog and Mazarin. Friday, June 27th, 9:30 p.m., Johnny' Brenda's, 1201 Frankford Avenue.
Saturday: Lady Gaga ($49.50-$225)
Lady Gaga has launched her fourth world tour, "Lady Gaga's artRave - The ARTPOP Ball." While her "Born This Way Ball" tour was abruptly abandoned in early 2013 due to a hip injury, Lady Gaga has set out to reconnect with her fans with an evening full of everything you'd expect from a Gaga show — outrageous, eccentric outfits, and an emphasis on being "1000 percent you." Saturday, June 28h, 8:00 p.m., Boardwalk Hall, 2301 Boardwalk, Atlantic City.
It's impossible not to enjoy the upbeat, feel-good tune of "Keep Your Head Up," the single that brought attention to Andy Grammer in 2011. His newest song "Back Home," released in April, captures the same sweet vibes and catchy lyrics, telling fans to "raise your glass" to "nights that you can't take back." Sunday, June 28th, World Cafe Live, 8:00 p.m., 3025 Walnut Street.
This summer, the Mann Center will house the Philadelphia Orchestra for a three-week summer residency that kicks off with an awesome-sounding collaboration with singer-songwriter Ben Folds on Tuesday, June 24th.
Ben Folds is no stranger to tinkering with new ways to present his music — remember the whole Chat Roulette thing in 2010? — and this new blending with classical orchestras is apparently a winning combo. Described as “part piano concerto, part pop hits,” The Ben Folds Orchestral Experience was recently tried out with the St. Louis Symphony Orchestra. Here’s what one reviewer from the St. Louis Post Dispatch had to say about that performance:
The centerpiece of the concert’s first half was Folds’ newly written piano concerto. Folds performed its first movement, which he said is designed to “kick ass” before giving way to a more sedate second movement and then going out with a bang during the third. More than anything, he seems determined not to reinvent the wheel in terms of composition. The piece draws on Folds’ pop sensibilities while also offering an opportunity to show off his digital dexterity: clearly, he’s been practicing.”
His romp with the Philly orchestra will be conducted by Steven Reinke. Tickets, ranging from $15 to $49.50, can be purchased here.
On Sunday, May 25, the Philadelphia Orchestra will be making history, but they won’t be at the Kimmel Center: they’ll be in China, and guess what? You’ll have a chance to be part of the milestone concert.
The Orchestra’s performance from the Shanghai Grand Theatre will mark the first symphonic webcast from China to an international audience. The concert, which takes place at 7:30 PM in China, can be streamed live at 7:30 AM EST via a-Peer Synergy Shanghai Culture and Technology’s newly developed digital platform; listeners must pre-register at www.yunbomedia.com. As an added bonus, those who “attend” this digital concert will have the opportunity to share up to three minutes of the concert via social media, which includes Mozart’s Symphony No. 41 (“Jupiter”) and Mahler’s Symphony No. 1.
The Philadelphia Orchestra has a long history with China that stems from President Nixon’s 1973 request to have the ensemble be the first American orchestra to perform in China. They have returned in 1993, 1996, 2001, 2008, 2010, 2012, and 2013.
Expect to hear the signature styles of music director Yannick Nezet-Seguin on the webcast; The Philadelphia Orchestra’s 2014 tour of Asia and China marks his inaugural tour with the company after becoming music director of the Orchestra in 2012.
For more information on The Philadelphia Orchestra, visit their website.
It sounds like a headline ripped from an episode of Nancy Grace or Law and Order: young female necromaniac flaunts her sexuality to get down and dirty with a corpse she’s got the hots for (and you thought opera was boring). But, in essence, that pretty much captures the plot of Strauss’s Salome, which, in it’s sold-out staging at the Kimmel Center, marks the first collaboration between The Philadelphia Orchestra and Opera Philadelphia. The production, which opened Thursday evening, features many solid moments, but the highlight clearly is the daunting performances of Camilla Nylund and Alan Held who play the title character and her soon-to-be dead lover, respectively.
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Yannick Nezet-Seguin (right) conducts superstar soprano Renee Fleming in Dvorak’s Rusalka.
In a recent interview, where he discussed returning to the podium at The Metropolitan Opera to conduct a revival of Dvorak’s Rusalka, Philly’s own Yannick Nezet-Seguin raved about the show’s star, soprano Renee Fleming. “Anything sung by Renee Fleming becomes the most gorgeous music,” said The Philadelphia Orchestra music director. “There is just something special about Renee and Rusalka,” And he’s right. I was there at last night’s opening, and watched — ogled, even — as Ms. Fleming ascended to the top of a tree early in the first act to sing the opera’s signature aria, “Song to the Moon.”
She was dazzling, no doubt, but Mr. Nezet-Seguin is being far too humble. There’s something else “special” about this production, and that is Yannick himself. His masterful direction of Dvorak’s lush, Romantic score breathed new life into what would normally be a rather dark, dreary and downright depressing tale of ill-fated humanity.
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Each January, the who’s who of Philadelphia pays big bucks to attend the Philadelphia Orchestra’s annual Academy Ball and Concert at the Academy of Music. There are glorious gowns and fine jewels. There’s lots of society gossip. And there’s always a special guest performer, with past rosters showcasing everyone from Rod Stewart and Billy Joel to Yo-Yo Ma and Lang Lang. But this year, for the 157th edition of the grand fete, the Orchestra has chosen a much more local talent: North Philadelphia-born-and-raised Jill Scott.
Now, if you’re wondering Where the hell has Jill Scott been?, it’s not an unfair question. After a long series of Grammy- nominated songs and albums and her own 2009 show on HBO (The No. 1 Ladies’ Detective Agency), Scott more or less went underground—but not without good cause. In 2009 she had a baby boy, and one year later, she was sued by her longtime record label for millions of dollars for breach of contract, tying up her life and career. That suit has since been settled.
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The Inquirer reports that Yannick Nézet-Séguin will be skipping this week’s Philadelphia Orchestra concerts—both here and at Carnegie Hall in New York—with a sinus problem.
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A press release from the Philadelphia Orchestra:
The Philadelphia Orchestra today announced details of its upcoming 157th Academy of Music Anniversary Concert and Ball to be held Saturday, January 25, 2014, beginning at 5:30 PM. Music Director Yannick Nézet-Séguin and The Philadelphia Orchestra welcome special guest artist and Philadelphia hero Jill Scott for this magnificent evening of music, dinner, and dancing in celebration of the Academy of Music, a National Historic Landmark.
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