Sins of the Father
With Father Charles in jail for three years, Art has tried to arrange a meeting with Brother Regis, who is still a Franciscan but restricted from service. “I want to know why he did what he did,” Art says. “Are you happy that my son is no longer with us?” But in September, Art was informed that it wouldn’t be in his best interest to meet with Brother Regis.
Art scours clergy abuse websites and jots down movie quotes about justice and revenge on index cards. If a priest walks into a restaurant where he’s eating, he’ll demand a table far away. Somewhere deeper inside, there’s also the anger he feels toward himself, for being
too clouded by faith to save his only son.
His wife sits on the living room floor, leafing through a binder filled with Arthur’s letters. Art walks over to the white urn bearing the boy’s name. “This is what I get to kiss and touch every day,” he says, his jaw beginning to tremble. “It’s not warm. I can’t smell his hair or his cologne. That’s what I got.”
Perhaps their only hope for healing lies in Arthur’s son, whom they see every week. At 14, he loves rock music and football, just like his dad. He’s still too young to understand what his father endured, or how he himself, just by being, may lead his grandparents to salvation in a way no priest or church ever will.