David Fox

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Deborah Zoe Laufer’s play begins and ends well, but groans under a surfeit of issues.

Nick Payne’s lovely play, gorgeously produced at the Wilma, is a treat for scientists and poets.

This often enjoyable production doesn’t fully capture the play’s sublime, disquieting oddness.

Some effective moments and good performances here, but not much insight into Lizzie Borden

Laughs are plentiful in the Walnut Street production. But is it really funny?

The writers and star of 1812’s new holiday show talk about their creative process.

After the battering year we’ve had, the sweet hopefulness of the show could not be more welcome.

This high-energy musical at PTC has appealing moments alongside off-putting ones.

You will see no more delightful show, nor a better lesson in stagecraft, this season.

This uplifting, inclusive little show has its heart in the right place, and also wears it on its sleeve.

This over-devised adaptation of The Brothers Karamazov sinks under its own weight.

At Theatre Exile, Rajiv Joseph’s flawed but compelling play packs a lot into 90 minutes.

This darkly comic fable at Inis Nua packs an initial punch. Too bad it goes on too long.

Matthew Lopez’s middle-of-the-road comedy doesn’t get below the surface.

The Wilma Theater’s visually stunning production doesn’t always serve Andrew Bovell’s play.