Beautiful Music

Imagine a Rittenhouse Square mansion stuffed with the world’s top musical prodigies. Now imagine you’re one of them, trying to survive round-the-clock rehearsals, barking instructors and the relentless pursuit of perfection. For Becky Anderson and her fellow students, the race to be the best of the best defines life inside the Curtis Institute of Music

Curtis students learn to sing increasingly complicated music at sight, to listen to music they have never heard before and write it down as if they’re simply taking dictation. These days, they’re even taught how to converse at a cocktail reception or dinner party. But what’s happening in this room between Ida Kavafian and Becky Anderson is the essential element of this eccentric place, and it is in many ways ineffable.

It’s something like those guitar lessons you took when for a few months you wanted to be the next Bruce Springsteen. But not really — not nearly. In some ways, it’s like working on your short game with the club golf pro, or sweating through an intense session in the weight room with your personal trainer. Only that’s like comparing apples to gemstones. Yes, some are green and some are red, but …

 “What I really wanted when I came to Curtis,” trumpeter Elin Frazier told me, “was to have a place that was cut off from the mundane world. To study with a master teacher and practice. It was very much the idea of one master teacher passing how to do it through the next generation.”

While the weight of tradition may hinder the classical music world’s nimbleness in responding to change, the student-teacher tradition is like the eternal golden braid, linking great musicians across oceans and generations. When China-born Haochen Zhang, the Van Cliburn contest winner, takes a lesson with Gary Graffman, he’s getting not just Graffman, but also Graffman’s childhood teacher, the redoubtable Madame Isabelle Vengerova, as well as his later teachers, Rudolf Serkin and Vladimir Horowitz. One of Curtis’s first piano teachers, Josef Hofmann, had studied with Anton Rubinstein, who had studied with the legendary soloist and pedagogue Carl Czerny. Czerny had studied with Beethoven.

Ida Kavafian trained at Juilliard under Oscar Shumsky, a Philadelphia violinist who first performed with the Philadelphia Orchestra before he was 10, and who attended Curtis. “I can tell you that Oscar Shumsky permeates every single thing I do in music,” she says, “not just specifically, though there is some of that, but conceptually and philosophically. He is by far the single biggest musical influence on my life.”

For her next lesson with Kavafian, Becky brings back the Chausson Poème and a pianist to accompany her. That goes well, and in the lesson after that, she plays alone again. At the end of the lesson, Kavafian tells her, “It’s just too pretty.”

“She’s completely right,” Becky says. “It’s an incredibly beautiful piece, but there are dark parts of it. I need to have a better sound — not prettier, but the best sound, and sometimes that could actually sound extremely unhealthy. Sometimes I need to scratch a little bit. I’ve been practicing trying to get it very smooth. But it’s not just pretty; it’s trying to express something much deeper than that. Ida keeps pushing to make me keep thinking — not just make it beautiful.”

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  • Monique

    Great article! To be savoured from beginning to end both for form and content, and the genuine, passionate conviction that it conveys.

  • Gary

    Nice throwaway line on George Bush. Since we all know he was born with a silver spoon. But what about Kennedy legacies? Biden legacies? Did they get into good schools on pure merit? Is that why they needed to cheat and plagiarize? Does that explain the failed bar exams? Maybe the author could stick to the point of his story next time rather than taking cheap shots to ingratiate himself to his presumed we-all-think-the-same-way audience?

  • Dave

    Gary! Amen amen amen! I thought the exact same thing, thanks for saying it better than I could have.

  • Robert

    Why does the writer feel obliged to take a cheap shot at George Bush? God knows he failed us less than the current prez. Other such legacies-Kennedy, Rockefeller, Biden, Bayh, Byrd, Clinton–have done poorly too.

  • Bem

    Does it make the writer feel good to take a shot a W like that OR, is that what’s required to get onto his circle’s party invite list? Whatever the purpose, it ruined the purpose of the article. Nice try though.

  • Roger

    If that’s so good for Curtis, why wouldn’t it be good for other schools, professions, military service, etc, which “want the best”?

  • Juan

    Moronic comments like this about GW are written into the DNA of today’s media. If we want to talk about the intellectual challenges of our Commanders-in-Chief, let’s start with the current one (Mr.Cinco de Cuatro, 57 states, etc.)

  • Gerard

    One reads such cheap shots against a former president in an article concerning a music school in Philadelphis and what can one say but… “Marchese.”

  • Anonymous

    I’m amazed by the stupidity of the comments. Who cares if your boy blunder George ‘W’ was mentioned, oh boy, cry me a river! You just ignored the 10 page article. Grow up boys!