Featuring green beer, toasts to the dead, and a kid-friendly festival.
Despite ingenious moments, the gimmick of Beth Wohl’s play wears out before it’s over.
Secret Cinema, Deepak Chopra, Mary Frances Berry and more.
Part II of the Lydie Breeze Trilogy is linear, concise, and better than Part I.
The Arden’s Toni Morrison adaptation is too much handsome staging, too little Morrison.
We’ve got all the details: the official route, road closures, parking restrictions, and more.
Without its companion pieced, Trouble in Tahiti, this difficult late work feels like half of an opera.