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This is a guest post from playwright and author R. Eric Thomas, senior staff writer at ELLE.com, with additional bylines in the New York Times, […]

Joseph and the Amazing Technicolor Dreamcoat has origins as early as 1968, when Andrew Lloyd Webber was asked to write a “pop cantata” for St. Paul’s […]

What a sense of nostalgia I felt, entering the Prince Theater for the first time in years! I haven’t been in the main auditorium since […]

Who says you can’t go home again? Pig Iron Theatre is now 20 years old. In that time, the locally based company has moved from […]

Scholars of Ibsen’s Hedda Gabler will continue to debate why the protagonist (that’s Hedda, of course) is so profoundly unhappy. But there’s no doubt she’s […]

There are few works currently playing in Philadelphia that are as thought-provoking and engaging as the premiere of Emma Goidel’s A Knee That Can Bend, which […]

Philadelphia Theatre Company’s dazzling production of Ken Ludwig’s Baskerville comes to us as part of a trifecta – Princeton’s McCarter Theatre and Washington’s Arena Stage […]

It could hardly be a more difficult time to open a comedy — even one as popular as This Is the Week That Is, 1812 […]

It’s hard to believe the Broadway production of The Book of Mormon will turn five next year, and that the show is just as inappropriate, just as […]

In the 1980s, America collectively fell head over heels in love with Dr. Ruth Westheimer. And why wouldn’t we? The diminutive German-born therapist was a […]

It’s an odd thing about holiday season musicals. On one hand, they’re often very successful – at least between November and January – with a […]

Is a show like Matilda: The Musical too big to properly tour? That question was definitely on my mind last evening after I left the performance at the […]

In my crankier moods, I think “one-person play” is an oxymoron. I’ve seen plenty, and some have been delightful – The Belle of Amherst with […]

Lights Rise on Grace by Chad Beckim arrives at Azuka as part of the National New Play Network’s ambitious Rolling World Premiere initiative, in which […]

There’s one word that I can use to describe the Philadelphia Theatre Company’s production of the Pulitzer-winning drama Disgraced: polarizing. And if I wanted to add […]