Brenna Geffers

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REVIEW: Curio’s Marie Antoinette has Éclat… Mais Pourquoi?

Entering Curio Theatre for Marie Antoinette, I was struck by how much the set—an amusingly makeshift, low-budget evocation of gilded excess, meant to suggest Versailles—could […]

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REVIEW: In Really at Theatre Exile, a Fugue State without a Fugue

15 minutes into Jackie Sibblies Drury’s opaque play Really—as seen in an even more obfuscatory production at Theatre Exile—I was reaching for a metaphor. Was […]