The Sincerity Project
Of all of the fledgling theater companies in Philadelphia right now, the ensemble-based and movement-oriented Team Sunshine Performance Corporation is the most promising. Its summer co-production of Henry IV: Your Prince and Mine and 100-person sword-bearing army in Clark Park drew rave reviews. Now they’re back with this years-in-development play about the growing pains faced by millennials. Look for an onstage choir, a little nudity, and a bunch of 20-somethings baring their souls and questioning what it means to get older. Well, a little bit older, anyway.
Arden Theatre Company
Matt Decker directs just six actors in the Dickens play that features 40 characters.
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I’m going to be honest, I’m not a huge fan of seeing shows at the Union Transfer. The security there is sometimes a bit touchy-feely, there’s always some random fan girl twirling all up in my space, and, well, let’s just say Molly seems to be plentiful. Last night, when I went to see DJ Caribou, all of those things were in place, but I didn’t even notice because the show was absolutely explosive. Both acts that performed took me to another place that was worlds away from the Union Transfer and the twirling sister at my side.
The (curious case of the) Watson Intelligence
Off-Broad Street Theater
Time and time again, we’ve heard that there’s a dearth of roles for actresses of a certain age. “But I think that might be changing,” says Corinna Burns, the female lead in Azuka Theatre’s The (curious case of the) Watson Intelligence, a 2014 Pulitzer Prize finalist. Last season, the 42-year-old Swarthmore grad was cast in just one show. This season? “I have five shows,” she says, including Revolution Shakespeare’s just-wrapped Macbeth and a Fringe play that won accolades from the New York Times. “I feel very lucky. It’s an embarrassment of riches.”