Photo via Shutterstock
Thursday, October 30th
Peek-A-Boooooo Halloween Revue
Get spooked (in a good way) by this burlesque show full of tricks and treats. The ladies of The Boo, with Joey Martini and Count Scotchula, host an evening of adults-only fun with dancing Martians, a corpse bride, a GLAMpire Queen tribute, and tunes from The Striptease Orchestra. If you’re feeling especially spirited, get dressed up in your own costume – you could win a prize! Tickets can be purchased online.
When: 7:00 p.m.
Where: Trocadero Theatre, 1003 Arch Street.
Ghost Tales and Goosebumps: Local Legends by Firelight at Laurel Hill Cemetery
Gather around the campfire at the Laurel Hill Cemetery for a spooky night of storytelling! Tour guides will show you around, all while telling only the creepiest of ghost stories. Tours depart every half hour to tour the grounds and mausoleums. Enjoy hot cider and cookies afterward. This event is BYOF: bring your own flashlight! Tickets can be purchased online.
When: 7:00-9:00 p.m.
Where: Laurel Hill Cemetery, 3822 Ridge Avenue
Click here for more—if you dare!
An example of the kind of design some Spaniards call “arquitectura-espectáculo,” aka, the Guggenheim in Bilbao.
Frank Gehry was in Oviedo, Spain this week to receive an award from the Fundación Príncipe de Asturias, which honors artists and arts organizations. The rationale for Gehry’s inclusion reads (translated from the Spanish):
His buildings are characterized by virtuosic play with complex forms, by the use of uncommon materials, like titanium, and by his technological innovation, which has influenced other spheres of art as well.
Apparently, Gehry takes Spanish adoration a bit for granted these days. At a press conference to coincide with the awards, the first question was from a reporter who asked how he responds to the charge that he practices what Spaniards call “arquitectura-espectáculo,” a term basically explained by the Guggenheim in Bilbao.
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The Eagles are off this week, but the entire team gathered Monday at the team’s practice facility to take a team photo. That day, Chip Kelly says his team ran a photo session that was more up-tempo than their offense.
“We set a record: four minutes and forty seconds,” Kelly said. “We got everybody — the entire team, every position group, the coaches and the training staff done in four minutes and forty seconds,” said Kelly. “Oh, it was tempo. And I would challenge anybody [to match that].”
Kelly later added: “We had to coach the photographers a little bit because… one of the guys thought he was Ansel Adams. We said ‘Let’s get this thing taken and let’s go,’ you know what I mean? It’s not like it’s going to be hanging in the Philadelphia Museum of Art.”
Oh, but it is.
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October 8th and 9th
Academy of Music
The gritty Canadian singer and guitarist has always had a huge Philadelphia fan base, and his shows here are the stuff of legend. He performed a solo set and one with Crosby, Stills and Nash at Live Aid, he headlined a special 2008 concert to commemorate the end of the Spectrum, and his 2007 Tower shows were memorialized by filmmaker Jonathan Demme in the documentary Neil Young Trunk Show. If you don’t catch at least one of his two performances here this month, you’ll be missing out.
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Elliot Levin, Rhenda Fearrington, and Lamont Dixon perform at the OutBeat Jazz Festival.
It was a totally triumphant Friday evening as the William Way Community Center kicked off OutBeat, what’s being billed as the nation’s first queer jazz festival. It was a winners-take-all night of amazing performances at two prestigious venues in the city: Philadelphia Musem of Art (PMA) hosted the Fred Hersch Trio as part of its “Art After Five” series (along with a VIP reception), and the Suzanne Roberts Theatre presented “Lush Lie: Philadelphia Celebrates Billy Strayhorn,” a co-collaboration between OutBeat and the Philadelphia Jazz Project. Read more »
Terri Lyne Carrington
Our sister blog, G Philly, has presented lots of coverage on OutBeat, the nation’s first ever LGBTQ jazz festival, that’s playing right here in Philly this upcoming week. However, this event isn’t just for those who fall in the LGBTQ spectrum: it’s a major musical fest for jazz lovers that is bringing some of the best musicians in the genre to our city. Read more »
East Terrace Aerial Mockup. Image via the Philadelphia Museum of Art.
Greg Heller, author of Ed Bacon: Planning, Politics and the Building of Modern Philadelphia, knows something about the planning and evolution of Philadelphia’s Parkway. Aside from Inga Saffron, there are few people I can think of more qualified to offer an opinion on Frank Gehry’s plans for the Philadelphia Museum of Art (PMA), now on view there in “Making a Classic Modern: Frank Gehry’s Master Plan for the Philadelphia Museum of Art.”
While other critics have basically said, “Thank god Gehry’s plans for the museum don’t seem very Gehry-ish” — in other words, he’s kept himself in check in our rather conservative, Quaker city — Heller finds himself disappointed by the absence of Gehry’s flamboyance:
The exhibit showcases the results of a design process that has been going on since 2006—seriously, that’s eight years of planning by one of the top architects of our time, famous for massive, ambitious, bizarrely shaped, twisted sculptures of metal that (like them or not) become a permanent and recognizable fixture in their cities’ urban landscapes. Even if I didn’t like the proposed renovation design, I figured at least it would be ambitious and interesting. It was neither.
Heller knew it wasn’t going to be Bilbao — after all, the design is primarily underground, as he notes — but he thought we might get something “iconic and visionary—perhaps our own version of I.M. Pei’s pyramid at the Louvre, but Gehryesque.” Instead, he says, Gehry has offered a pallid plan for an “amazingly boring” museum expansion.
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