Vivid Seats, a website for buying and selling music, sports and theater tickets, recently compiled a list of the 20 best North American cities for live music. It should come as no big surprise that Philly was at the top of that list. They analyzed factors like number of concerts and average ticket price for upcoming shows to rank the cities, all of them being from the U.S. except for Toronto. They noted that Philly was particularly great for genres like alternative, blues, jazz, country and folk.
Every time Fishtown-based rocker Kurt Vile makes the trek back to his home city (technically he’s from Lansdowne, but whatever. Close enough.) it’s a special event. But last night, Vile brought fellow local rock act Waxahatchee with him to the Union Transfer, creating a powerful one-two punch of Philadelphia indie rock and roll.
The night began with Nashville-based acoustic singer Luke Roberts. But it wasn’t until Waxahatchee and lead singer Katie Crutchfield‘s arrival that the Union Transfer really began to fill up. The set was well-received, as the band’s electric, groovy sound was an excellent prequel to Kurt Vile and the Violators’ dreamy set.
Before we even had time to take notice, Philadelphia has situated itself as the capital of indie rock. Just ask any in-the-know music aficionado. In April, Noisey wrote that “It feels like ALL the bands are from Philly at the moment.” When Rolling Stone put local band Hop Along’s latest album on their list of the 45 Best Albums of the Year So Far, it wasn’t without a “What’s up with Philly lately?” shoutout to the City of Brotherly Love. But perhaps the most impressive declaration of Philly’s indie rock dominance is Stereogum’s recent, nearly 8,000-word cover story on the our city’s budding indie-rock scene.
This might be a bit overwhelming to the casual music fan, who may still think of The Hooters when asked about “Philadelphia rock and roll.” If this is you, and you’re looking to better familiarize yourself with the key players, look no further. Here, we present 16 local bands you should blast in your earbuds right now.
b’lieve i’m goin down will be the title of Philly singer-songwriter Kurt Vile‘s followup to 2013’s Wakin’ On a Pretty Daze. The album is expected to be released this fall in conjunction with a world-tour schedule that will bring him to Philly’s Union Transfer with Waxahatchee on October 9th.
In a conversation we had with him last fall, Vile told us a few things that have been inspiring him through the process of making his new album. Perhaps his quote offers a peek at what to expect when b’elieve drops later this year: “A couple of my favorite songwriters right now are classic-period Randy Newman, and an amazing songwriter named John Prine. His lyrics are heartbreaking. There’s certain Southern Gothic fiction that I’m getting heavy into — Flannery O’Connor and Cormac McCarthy books. I’ve always been consuming. That’s just part of my personality, and it feeds into my music.”
Check out behind the scenes footage of him working on the album at Rancho de la Luna Studio in Joshua Tree, California. His full tour schedule is below:
The followup to Kurt Vile’s 2013 album, Wakin’ on a Pretty Daze, will be titled All Over the Place, according to an interview with the Philly indie rocker in Rolling Stone.
Living up to the album’s title, Vile has recorded songs everywhere from Brooklyn and Southern California to Georgia and, of course Philadelphia.
“I’ve developed this routine at home. I wait for the kids to go to bed, then my wife falls asleep. Then it’s dark and quiet enough for me to work on songs. I just keep going later and later, until sunrise,” he tells Rolling Stone. “I wanted to get back into the habit of writing a sad song on my couch, with nobody waiting on me. I really wanted it to sound like it’s on my couch — not in a lo-fi way, just more unguarded and vulnerable.”
The festival takes place this July at Union Park in Chicago. Besides Vile, the roster also includes Wilco, Sleater Kinney and Chance the Rapper, all of whom are headlining a different night of the three-day event.
The festival takes place July 17-19. There are a limited number of three-day passes available for $150, and single days passes are $65. Buy them here. Full music lineup below:
Philly indie rock star Kurt Vile joined Warpaint on stage this weekend during the Red Bull Sound Select’s 30 Days in L.A. music festival. The group brought him out to perform the dreamy “Baby from their 2010 album The Fool. Vile will perform his own show at the 30 Days in L.A. on November 21st.
Check out the performance above, then read our Q&A with Vile from the Conversation Issue in the current Philly Mag.
Local band The War on Drugs was on last night’s episode of Conan. The indie-rock band, with members Adam Granduciel, David Hartley, Robbie Bennett and Charlie Hall, performed their song “Burning.” Co-founded by Philly’s Kurt Vile before departing for a solo career, The War on Drugs released their third studio album, Lost in the Dream, in March. Flavorwire has since called it one of the best albums of the year.
The band recently appeared in a photo diary for The New York Times T Magazine featuring Granduciel’s own snapshots. It turns out that, in addition to dating actress Krysten Ritter, the frontman is quite the photographer.
The current issue of Philly Mag is filled to the brim with conversations from 50 of the city’s most intriguing movers and shakers—from politicians to gossip mongers to celebrity chefs. It goes without saying, then, that it wouldn’t be complete without a chat with Philly’s most-buzzed about musician, Kurt Vile.
Here are some snippets of our chat, where he shares secrets about his creative process and staying true to his indie roots while “doing whatever I can … to be more of a success career-wise and financially.” You can read the rest here.
PM: When does the process for creating a new album begin?
KURT: I’m always creating — at least writing. One thing ricochets off the other. There comes a time where you’ve accumulated a bunch of songs and it’s time to make a new record. Then you go out on the road and perform it. That music takes on a life of its own, because you play it differently every night.
PM: Sounds like you find most of your inspiration on the road.
KURT: Not necessarily. The stuff I write on the road is more universal. There are other times, like when I visit my parents — they live in the suburbs, but compared to where I live in Northern Liberties, it’s like the country. There, I can tap into playing acoustic or banjo in their backyard. Then there’s when I’m in the studio, coming close to a deadline. I feel like some of my best work comes out of that, when all of a sudden you can fill in any blanks, music-wise or lyric-wise, on the fly, because you have your mojo going. Read more »