Gamble and Huff to Be Honored By Songwriters Hall of Fame

gamble and huffPhilly-based TSOP pioneers Kenny Gamble and Leon Huff will receive the top prize at this year’s Songwriters Hall of Fame ceremony: the Johnny Mercer Award.

AP reports that the award will be presented on June 12 in New York City. Last year, the prize went to Elton John and Bernie Taupin.

Gamble and Huff — inducted into the Songwriters  Hall of Fame in 1995 — are most known for a string of Philly soul hits that spanned the 1970s and early-1980s, like Billy Paul’s “Me and Mrs. Jones,” Harold Melvin and the Blue Notes’ “If You Don’t Know Me By Now,” and the O’Jays “Love Train.” The duo recently made news for transferring the rights to their Philadelphia International Records Catalogue to Sony Music Entertainment. It’s a big year for these two.

Listen to some of the aforementioned TSOP classics below.

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Sony Secures Global Rights to Entire Philadelphia International Records Catalogue

gamble and huff

Gamble and Huff.

It’s about to get a whole lot more soulful up in here.

Sony Music Entertainment (SME) has secured global rights to the entire catalogue of Philadelphia International Records (PIR), the recording company started by The Sound of Philadelphia (TSOP) pioneers Kenny Gamble and Leon Huff in 1971.

This means that, staring in April of this year, SME will begin rolling out a series of albums from the PIR catalog, including a 20-CD Philadelphia International Records box set containing greatest hits compilations by everyone from The Jacksons and Teddy Pendergrass to The Three Degrees and Miss Patti Labelle.

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Might Something Else Be Afoot at the Royal?

symphony houseJudging from the presence not only of Kenny Gamble, founder and CEO of Universal Companies, but also of his negotiating team at Tuesday’s formal unveiling of Dranoff Properties’ SLS International Hotel and Residences project, the record exec-turned-community developer and the master developer continue to maintain a strong working relationship. The two have long been partners in real estate deals, including Symphony House (left), Southstar Lofts and 777 South Broad. And now Gamble has agreed to sell two lots he owns at Broad and Spruce streets to Dranoff in order to make his project possible.

When we asked Gamble about the status of the Royal Theater, which remains uncertain amidst both a conservatorship challenge and a still-pending petition to demolish most of the structure, his response suggested that Dranoff may have ideas for the space. Though Dranoff has said he is only acting as an advisor to Gamble’s Universal Companies on the Royal, it seems possible that he may be considering more involvement.

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BREAKING: Dranoff to Build PA’s Highest Residential Tower on South Broad

Photo: Laura Kicey

Photo: Laura Kicey

In April developer Carl Dranoff told Property’s Shannon Rooney, “The best is yet to come on South Broad Street. Later this year, look for a big announcement… We have several equation-changing projects for the city.” He was undoubtedly referring to the news that broke on Hidden City on Nov. 20th: that the company would build an SLS boutique hotel/luxury condo tower — SLS International — at Broad and Spruce.

sls international

Day rendering by KPF.

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Morning Headlines: Dranoff to Open Hotel/Condo at Broad and Spruce

skyline avenue place

A skyline with Avenue Place imagined by Bradley Maule. Via Hidden City.

Yesterday Hidden City broke the news that developer Carl Dranoff has a new project planned: Avenue Place, a 40-story mixed-use hotel-condo tower on the corner of Broad and Spruce. Hidden City’s Bradley Maule suggests that both the building that once held Utrecht Art Supplies and Philadelphia International Records (301-309 S. Broad) may be demolished as well as the building across Cypress Street (311 S. Broad).

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2013 Marian Anderson Award Given to Berry Gordy at the Kimmel Center


The 2013 Marian Anderson Award was held last night at the Kimmel Center. Motown founder Berry Gordy was this year’s recipient. Major performers such as Smokey Robinson, Boyz II Men, Kool & The Gang, Chris Tucker, Cody Wise, Brandon Victor Dixon (who portrays Gordy in Motown the Musical on Broadway) Philly producers/songwriters Kenny Gamble and Leon A. Huff, as well as musical director Bill Jolly, paid tribute to the iconic philanthropist and music legend.

See HughE’s photos from the Marian Anderson Awards after the jump »

Universal Defends Its Record at Charged Meeting About Royal Theater


After last night’s public meeting at the Bainbridge Club on the redevelopment of the Royal Theater, three things are certain:

1. Barring some miracle, the Royal will not survive whole.

2. Many residents would like owner Universal Companies to at least honor the theater’s history and heritage.

3. Universal will have to do more fence-mending to bring skeptical near neighbors on board with its plans.

The meeting was the first of what will likely be a series of public meetings to inform the community and obtain feedback on Universal’s plans to demolish and redevelop much of the African-American cultural landmark and build on an adjacent lot as a mixed-use project that will include street-level retail on South Street, apartments above, and new townhouses on Kater Street.

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Is Kenny Gamble Becoming a Blightlord?

Part of one of Philadelphia’s most beloved cultural landmarks, the Royal Theater, may soon be demolished–despite the fact that it’s owned by Kenny Gamble, who professed he would pay tribute to its legendary history by transforming it into the anchor of a new South Street West entertainment mecca. That was 13 years ago, and the building–the first black-run theater in the city, and one that played host to acts like Bessie Smith and Fats Waller–has been in decline since then, with Gamble having done nothing to act on initial promises.

On July 9, the Daily News’ David Gambacorta wrote an article about the Royal that cast a critical light on Gamble’s stewardship of the building, and his current desire to tear it down for commercial development. Now the City Paper’s Ryan Briggs takes a look at much more of Gamble’s real estate portfolio as Universal Companies, which was co-founded with his wife, Faatimeh.

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Morning Headlines: NYT Profiles Philly’s 13th Street. Plus: Kenny Gamble, Firehouse Demo and Turtles

• Slideshow: A Philadelphia Street, Transformed [NYT]
South Philly firehouse headed for demolition? [Inquirer]
Collingswood restaurant is up for grabs [Insider]
Threatened turtles Ridley Park’s costly ‘hidden jewel’ [Inquirer]
Kenny Gamble’s stewardship of Royal Theater dragged area down, neighbors say
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Kenny Gamble’s Petition to Demolish Royal Theater Due to “Financial Hardship” Faces More Opposition

Kenny Gamble’s attempt to demolish most of the historic Royal Theater on 15th and South, an African-American landmark, faces more than just the approval of the Philadelphia Historical Commission. It faces a state challenge that he himself put into place, according to Eyes on the Street:

In 2006 Universal Companies was awarded a $50,000 Keystone Historic Preservation Grant from the Pennsylvania Historical & Museum Commission (PHMC) for exterior repairs. And when the grant was finally processed in 2008, there were strings attached: A restrictive covenant filed with Universal’s deed requires that Universal and any subsequent owner preserve the building for 15 years. Until 2023 all alterations must be approved by PHMC.

The Commission will probably try to mitigate the damage Gamble wants to do to the building, which he’s applying to do under a hardship provision that claims he simply doesn’t have the financial wherewithal to fix it up. When he purchased the building in 2000, he had grand aims–goals that still hadn’t been realized as of 2007. That year, Philadelphia Magazine’s Matthew Teague wrote about Gamble’s plans for a South Philly music renaissance:

He envisions South Philly as an entertainment corridor with an emphasis on the city’s musical heritage, similar to Beale Street in Memphis. In a major step toward that goal, Gamble persuaded the Rhythm & Blues Foundation to move from New York to Philadelphia, and next he plans to develop a $50 million National Center for Rhythm and Blues on the empty plot at Broad and Washington. He envisions a massive complex including a concert hall, a music academy and a Hall of Fame.

But the Royal’s role in all this was confusing. In 2000, Universal said it would be converted “into a live performance theater.” In 2007, Universal’s Rahim Islam told Teague, “We bought it to preserve it.” Apparently, the past 13 years have not improved Gamble’s financial standing enough for him to be able to afford either plan.

Along the way, there have been would-be buyers of the property, an important factor when determining whether the hardship provision should apply. In other words, if Gamble can’t afford to fix it up, could he sell it to someone else who could? He says there haven’t been viable offers. Developer Ori Feibush says there have been–and that he was one of them. He also wants to demolish much of the building in order to put in two floors of commercial space and two floors residential. He, too, would be bound by the approval of the Pennsylvania Historical & Museum Commission.

At the moment, however, the fate of the building is in the hands of the Philadelphia Historical Commission, which is examining the case. It’s a tough one.

PREVIOUSLY: Petitioner Seeks to Turn Royal Theater Over to Feibush [Property]
Universal seeks OK to demolish most of Royal Theater [PlanPhilly]
Demo or alteration of Royal Theater requires state preservation review [Eyes on the Street]
Royal Theater Can’t Be Demolished Without Approval From State Historic Commission [Curbed Philly]

Meanwhile, Ori Feibush competes with Gamble to destroy the landmark as well

Forgive us our skepticism: The building is in wretched condition partly due to Gamble’s poor stewardship, but is there something we don’t know about Gamble’s

and will have the same right to intervene should someone else buy the building.

That’s the other wrinkle here.

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