Every week, Philly gay gents share their local picks for Man Crush Monday. This week, G Philly matriarch, local journalist and fine artist Natalie Hope McDonald.
Last Five Man Crush Mondays:
Yesterday we shared photos from this weekend’s 20th annual Bastille Day celebration at Eastern State Penitentiary, but The New York Times showed us up by putting together a whole video of the day. Check out the video below to see NYT’s interpretation of our “spirited and unconventional re-enactment.” Lots of local folks show up, including ESP’s Sean Kelley, Bearded Ladies Cabaret‘s John Jarboe, and London Grill‘s Terry McNally, who donned a powdery wig and pink silk dress to portray Marie Antoinette.
The Knight Foundation just announced that 19 local arts organizations and artists will receive sizable funding for future artistic endeavors, and three on the list are LGBT groups, receiving a total of $140,000. The purpose of the grants is to fund local artistic outfits that present the “best ideas that inspire, inform, connect and create a sense of belonging in the city’s 365 neighborhoods.”
Christmas came early (late?) for a few arty Philly folks last night, when the Cultural Alliance doled out $90,000 in grants to 62 arts groups in the Greater Philadelphia region. Among the lucky recipients was two LGBT projects: Brat Productions and drag cabaret outfit The Bearded Ladies Cabaret. The grants — provided by the Pennsylvania Council on the Arts‘ Pennsylvania Partners in the Arts (PPA) — are given to arts groups that conduct activities for the benefit of the public, especially those that are school-, senior-, or community-based.
Bearded Ladies founder John Jarboe is taking a hiatus from the cabaret scene to co-star in Theatre Exile‘s latest, Cock, an intense, Oliver-winning drama written by Mike Bartlett that kicks off the company’s 17th season.
In it, Jarboe plays a man named M who finds out his boyfriend, John, has been sleeping around with a woman named W. Suddenly, caught in somewhat of a cockfight (hence the name), M and W light into John to make a decision between the two of them, but he doesn’t feel like he should have to. Claws come out. M, who Jarboe likens to a housewife from a 1950s movie, uses his expert manipulation tactics, enlisting his persuasive father, F, to help him get back his man. W is sarcastic and vile, belittling John’s manhood by calling him names like “half-ass” when she doesn’t get her way.