I wish I could say I’ve seen every one of Kelli O’Hara’s Broadway roles, but I’ve done pretty well — five out of ten, including very memorably Nellie Forbush in South Pacific, Babe in Pajama Game, and Clara in Light in the Piazza. I also saw her as Ella in Bells are Ringing at Encores in New York.
From this list, you will have deduced (if you didn’t know already) that O’Hara is a musical theater star. This is certainly true — her blue-chip soprano is one of the most beautiful voices around, and in fact, O’Hara’s early training was in opera, and she was a Met competition winner. Read more »
Sutton Foster / Photo by Laura Marie Duncan
“My number one piece of advice is to not be an asshole and be kind and respect people around you. You can actually achieve your dreams without being a dick.”
That’s the pointed suggestion that Sutton Foster said she’d give to any young aspiring performers who are coming to see her at the Merriam Theatre in March. The superstar actress, who has multiple Tony Awards to her name and a plethora of screen credits, including her current hit, TV Land’s Younger, is so unbelievably likable that you can’t help but feel that you’re best friends, even after talking to her for a few minutes on the phone. Read more »
Gabrielle McClinton in Pippin.
The award-winning revival of Stephen Schwartz’s Pippin is heading to Philly’s Academy of Music later in February, featuring high-flying acrobatics created by Les 7 Doigts de la main throughout the production. The show also includes the memorable score and signature choreography in the style of the great Bob Fosse. But it may be the decision to cast a woman in the traditionally male Leading Player role that best sets the revival apart from the original. One of the actresses who has tackled the challenging part, Gabrielle McClinton, played the role both in New York and on tour. We caught up with McClinton to discuss her experience with Pippin, and how touring life is different than a steady one on Broadway.
Up until this revival, the Leading Player was always associated with Ben Vereen. How does the gender switch impact the role, if at all?
I don’t feel like it impacts it that much. I watched Ben Vereen on YouTube and was amazed by him, but when I went in for the role, if anything, it feels more awesome that a woman, especially an African-American woman, is doing it. She’s so strong and it is saying something that there is no difference between her and others.
I know that you went to Carnegie Mellon to study theater, so are you a Pennsylvania native? Is this your first time performing in Philly?
I’m from Los Angeles originally, but training at Carnegie Mellon was a really great experience. I performed in Philly at a press event at one of the local theaters, but this is the first time that I’m doing a full show. Read more »
Mackenzie Lesser-Roy and Sam Cieri.
I don’t think there’s been a recent Broadway musical as polarizing to New York theatre goers as Once, the winner of 2012’s Tony for Best Musical: They either are absolutely bowled over by it’s style, or totally hate it for it’s unconventional staging and music. After watching the Dublin-inspired show on Friday night at the Academy, I lean much more towards being deeply moved and wowed by the heartfelt score and story, not to mention the insanely talented company. Read more »
The first thing Liam Fennecken is going to do once he gets to Philly is hit the flagship Wawa on Broad and Walnut. He hasn’t been yet, and he’s through trying to explain the store to his Once touring cast members.
“I’m so excited,” he said. “It’s such a Philly-specific thing that people just don’t understand.”
Fennecken, who grew up in Doylestown and went to Archbishop Wood High School, is making his Philadelphia professional theatrical debut this January in Once, the Irish-infused Broadway musical coming to the Academy of Music. He tackles the role of Svec, and has to do a lot more than just sing and act; he plays four instruments on stage. We caught up with the multitalented performer who received his theater training at Penn State.
You’re the second person I’ve talked to recently who came out of the theater program from Penn State and is touring as a lead with a Broadway show. I’m curious to hear about your experience at the college and how it prepared you.
I loved it. First of all, I wasn’t even looking to go into theater. I went into Penn State as an Animal Science major, which is still a passion of mine. I started going and seeing the shows and thought, “Why am I not doing that?” I really lucked out and decided that I wanted to do theater for my life. It’s such a wonderful program: All of the faculty and teachers have worked in the industry for years and are supportive and help get you connections outside of school. Read more »
I couldn’t have an interview with Andy Blankenbuehler without asking about Hamilton, the mega Broadway musical which he choreographed that has equivocally become a cultural phenomenon. Sure, I was chatting with him about his new production of Joseph and the Amazing Technicolor Dreamcoat —which is coming to Philly at the end of December — but his creative juice behind both productions is quite similar.
“It’s hard to talk about it because it is so big,” he says of Hamilton. “The process mirrored my life. My daughter was going through chemo while I was working on the show, so we were literally fighting for life, which is what the show is about. It’s a rite of passage. It tested everything that created my emotional life for the last 45 years, and it is all the things I’ve ever wanted to do.” Read more »
Photo by Joan Marcus from Center Theatre Group/Ahmanson Theatre.
Is a show like Matilda: The Musical too big to properly tour?
That question was definitely on my mind last evening after I left the performance at the Academy of Music. The touring Broadway musical has come a long way since, say, the first national tour of Cats, which pretty much employed a strand of Christmas tree lights on the stage and called it a “set.” But at least that set worked.
Last evening’s Matilda was plagued with technical malfunctions throughout the performance, including one that literally stopped the show during act one, causing an announcer to broadcast that the set was having difficulties. The other major malfunction took place during the climax of the show. I won’t give the plot away, but the moment was supposed to involve a piece of chalk magically writing a message on a board. Let’s just say the chalk stopped working. Read more »
Michael Williams and Emma Stratton | Photo by Matthew Murphy
Olive, a stripper who wants to be a serious actress, says this of her previous stage experience in the musical Bullets Over Broadway: “I call it interpretive dance: The audience interpreted it one way and the Catholic Church interpreted it another.”
That’s the kind of zany gag that fills the nearly three-hour Woody Allen/Susan Stroman musical which kicked off the Broadway Philadelphia season last evening. The original Broadway production, which opened in April 2014 and closed five months later, earned a half-dozen Tony nominations. This touring show, which recreates Stroman’s signature choreography, highlights some emerging musical theater talent, although the play itself isn’t terribly well-crafted or thoughtful. Read more »
Emma Stratton in “Bullets Over Broadway.”
When the big Broadway touring shows come to town, it’s always great to find some sort of a local connection, and with the Kimmel Center’s Broadway Philadelphia season opener, Woody Allen’s Bullets Over Broadway, there’s quite a homecoming for Emma Stratton. The Penn State alumnus plays the lead role of Helen Sinclair in the zany musical comedy. She took some time out of her busy schedule of opening the tour in Cleveland to chat with us about her Penn State education and how it prepared her for a life on the stage.
I have to ask if you’re from Pennsylvania since you went to Penn State. Funny enough, no. I grew up in San Diego, but I loved going to Penn State. It’s what I called the sort-of East Coast.
What kind of theatre department does Penn State have? It seems pretty comprehensive. When I was going into auditions for schools, I had no idea about Penn State. I actually wanted to study abroad, and I hadn’t really researched a ton of schools. I then found out that the BFA program at Penn State was one of the top in the country, yet not a lot of people know about it because its not in a big city. The more I started researching, the more people came out of the woodwork about Penn State: It was like it a had a cult following. It was an amazing school with an incredible program that shaped me so much. Thank goodness lots of friends from Penn State will be coming to Philly to see the show. Read more »
A scene from “Bullets Over Broadway.”
The highly-anticipated Broadway Philadelphia season kicks off next month with the Woody Allen musical Bullets Over Broadway, which is based on the 1994 film of the same name. Read more »