Philadelphia Magazine |
Weekend Report: Box-Office Blues
Avoid the post-Oscar-nom garbage and catch these classics instead
By Victor Fiorillo
A few weeks ago, we were happily watching Oscar contenders like There Will Be Blood and No Country for Old Men. But now, it seems we’ve hit a bit of a lull: last weekend brought us masterpieces like Over Her Dead Body and Hannah Montana/Miley Cyrus, while this weekend’s box office will be blitzed by Paris Hilton in The Hottie and the Nottie and the Matthew McConaughey farce Fool’s Gold (be sure to check tomorrow’s IMPRESARIO for the FLICK FILTER, your guide to opening weekend).
The antidote to this lousy movie syndrome is to ignore the new releases completely and stick with beautiful old films. Thursday night brings Dr. Strangelove to National Mechanics. Phoenixville’s Colonial (where they filmed The Blob) is showing a newly restored version of the super-charming 1956 film The Red Balloon on Saturday (followed by the also-French White Mane, inexplicably dubbed into English … yuck!) and Hitchcock’s divine Notorious on Sunday. And the International House has dug deep into the vaults for Saturday night’s screening (with live music) of the 1924 Russian silent, Aelita, one of the earliest science fiction films that still exist.
Dr. Strangelove, National Mechanics, 22 S. 3rd St., 215-701-4883, Thursday at 7:30 p.m., Free, nationalmechanics.com
The Red Ballon and White Mane, Colonial Theatre, 227 Bridge St. 610-917-0223, Saturday at 2 p.m., $4 to $7, thecolonialtheatre.com
Notorious, Colonial Theatre, 227 Bridge St. 610-917-0223, Sunday at 2 p.m., $4 to $7, thecolonialtheatre.com
Aelita, International House, 3701 Chestnut St., 215-387-5125, 8 p.m., $12 to $15, ihousephilly.org
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