Flintstones Furniture to Match Dick Clark’s Unbelievable Flintstones House

livingstone with child

A small child enjoys Stéphanie Marin’s Livingstones. Photo via the designer’s website.

This week Web Urbanist published “Flintstones Furniture: 15 Designs Made of Stone and Lava,” and while I can’t be sure they were thinking of the late Dick Clark’s unbelievable Flintstones house, each of these designs is a lovely complement to his home’s interior. In fact, the gallery offers prospective buyers some decor ideas, should they be overwhelmed by the possibilities.

My favorite pick is the Livingstones, which I’ve long been obsessed with because I’m basically a cat and I just want to sleep all the time. In fact, I love all of Stéphanie Marin‘s work because so much of it caters to the high-end beanbag audience — and you know who you are. Below, a slideshow of Marin’s “stone” work, which would soften the hard edges of Clark’s home, both inside and out.

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Popkin on New MAR Design: Still Mired in Conservatism

museum entrance

“This, I think is most telling about how little this design has moved from mimicry, from its deep, deep conservatism,” says Popkin about the way the museum will meet the street. Rendering via Museum of the American Revolution website.

We asked architecture critic Nathaniel Popkin to comment on the redesign of the American Museum of the Revolution that was approved yesterday by the Philadelphia Art Commission. Popkin has been the most outspoken critic of Robert A.M. Stern’s design for the museum, though he has certainly not been alone (“it’s controversial for its shittiness,” he notes).

After a look at the new renderings, which you can see in a slideshow below, Popkin had to wonder just how much time Stern & co. spent “back at the drawing board” after the Commission requested a redesign. Here’s his assessment:

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Inquirer Marvels Over the MAR’s New Design

redesign of the museum of the american revolution

The new design of the Museum of the American Revolution. Looks a whole lot like the old design.

Robert A.M. Stern turned in what many considered a subpar design for the Museum of the American Revolution. The building’s cupola, especially, was a subject of consternation; called “ham-fisted” and “Disneyesque” by critics, it was just one of several mawkish, neo-historical design notes that the Philadelphia Art Commission nixed when they told Stern to try again.

And so he did, and today the Inquirer has a piece that trumpets! the! success! of the new Commission-approved design (despite the fact that, in my opinion, it’s pretty much as crappy as the old one). The article, rather than reading like journalism, reads like a press release penned by the museum itself. I don’t know why that is, but I’m aware of the fact, shall we say, that the primary backer of the museum, Gerry Lenfest, is part-owner of the Inquirer; and Lew Katz, another part-owner of the Inquirer, is also a museum board member. (Both facts are disclosed in the Inquirer’s article). These facts could be coincidental, of course. Could be.

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Best (Only?) Architecture-Related April Fools Joke

Philadelphia native Louis Kahn at the Salk Institute. Image via ArchDaily.

Philadelphia native Louis Kahn “outside of” the Salk Institute. Image via ArchDaily.

Are famous architects too serious for selfies? Robert Venturi, Philadelphia’s most famous postmodernist, may well have taken a few. But what about modern masters like Mies van der Rohe, Louis Kahn and I.M. Pei? What if they did, too? ArchDaily posted seven Photoshopped images it claimed were dug up from history:

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Will Fort Mifflin Fire Keep the Ghosts Away?

fort mifflin

Photo: Laura Kicey

The city-owned Revolutionary War site Fort Mifflin, operated by a nonprofit, suffered a fire last week in the building known as the officers quarters, which has an interpretive room with furnishings and artifacts, a vault with demonstrating weapons and the more sensitive of the artifacts, and residential space for visitors — like the Boy Scout troop that was at the Fort when the fire broke out.

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Dick Clark’s Unbelievable Flintstones House Dips Below $3 Million


Dick Clark, god rest his soul, was as treasured a Philadelphian (temporary or otherwise) as they come. But was he eccentric? He was. Did he have idiosyncratic taste in home design. Oh boy. DID HE EVER.

His Malibu property — dubbed the Flintstones home for obvious reasons — has not yet sold despite incredible 360 degree views of the Channel Islands, Boney Mountains and the Pacific. On 23 acres, the home is a nature-lover’s dream, with almost equally easy access to woodsy trails and the beach. And the price has been cut from the original asking price of $3.5 million to $2,995,000.

Beyond that, there’s little to say that can’t be said by the slideshow. Please, if you do nothing else today, view this slideshow.

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Will the New Comcast Tower Be Good for Pedestrian Life? Or Bad?

Rendering of CITC. Photo courtesy of Comcast Corporate.

Rendering of CITC.
Photo courtesy of Comcast Corporate.

 John Pron, a former professor of architecture at Temple University’s Tyler School of Art, has a problem with Comcast’s burgeoning corporate campus. In an article published in last month’s Art Matters (recently made available online), Diane M. Fiske asks Pron what he thinks of the Norman Foster-designed CITC. Like most, he looks forward to the new building on Arch, even referring to it as “marvelous” and “dramatic.”

But Pron worries about pedestrian life. As it is, he says, pedestrian life between 15th and 30th along the stretches of Market and JFK suffers from little opportunity to connect with pedestrian activity along Arch Street and around Logan Square. Not helping matters is the north/northeast side of Comcast One, whose sidewalk-level design blocks pedestrians from easily entering Market and JFK.

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