The Weekender: Etta James, Lou Reed, and the Tattooed
JAZZ/BLUES
At some point in your life, you’ve either slow-danced or karaoke’d to “At Last,” the timeless blues classic by Etta James. When she recorded that song in 1961, James was well on her way to becoming a 420-pound, multiple-Grammy winning insurance risk. But a few years back, she went under the knife and more than halved her size. Fortunately, her voice doesn’t seem to have suffered a bit. Her Sunday show at the Keswick is sold out, but tickets remain for Saturday at the House of Blues in A.C. Along the same line, Karrin Allyson, whom the New York Times called “a complete artist — one of the jazz world’s finest” and who is used to playing venues like Lincoln Center and Montreaux Jazz, takes a minor detour to Chris’ Jazz Cafe (where I hear they just got a new baby grand) on Sansom Friday and Saturday nights in support of her new CD Imagina: Songs of Brasil.
ROCK LEGENDS
I’m guessing there aren’t too many people in the world who wrote songs about transvestites and sang with Pavarotti. Lou Reed (pictured) is one of them. The “Take a Walk on the Wild Side” and “Perfect Day” (my favorite) composer brings his iconic self to the Electric Factory on Saturday. Meanwhile, onetime Bandstand regular Charlie Gracie, who is credited with being one of the country’s original rockers and who is from right here in Philadelphia, turns up at the Tin Angel on Saturday.
CONVENTION
The words “convention” and “fun” don’t normally go together, but in the case of the Philadelphia Tattoo Arts Convention, you could do worse. Get inked by some of the country’s best artists, or just take in appearances by the dastardly Suicide Girl pinup models (pictured). At the Sheraton through Sunday.
THEATER
In previews, there’s Dito van Reigersberg in Azuka Theatre Company’s production of Hedwig and the Angry Inch at the Latvian Society, and a puppetted version of Animal Farm at Mum Puppettheatre (they’ve been working on it for a year and a half, so it better be good!). The Arden opens Go, Dog, Go! for the kiddies on Saturday. And it’s your last chance to catch Philadelphia Theatre Company’s Third at the newish Suzanne Roberts Theatre.
JAZZ/BLUES
At some point in your life, you’ve either slow-danced or karaoke’d to “At Last,” the timeless blues classic by Etta James. When she recorded that song in 1961, James was well on her way to becoming a 420-pound, multiple-Grammy winning insurance risk. But a few years back, she went under the knife and more than halved her size. Fortunately, her voice doesn’t seem to have suffered a bit. Her Sunday show at the Keswick is sold out, but tickets remain for Saturday at the House of Blues in A.C. Along the same line, Karrin Allyson, whom the New York Times called “a complete artist — one of the jazz world’s finest” and who is used to playing venues like Lincoln Center and Montreaux Jazz, takes a minor detour to Chris’ Jazz Cafe (where I hear they just got a new baby grand) on Sansom Friday and Saturday nights in support of her new CD Imagina: Songs of Brasil.
ROCK LEGENDS
I’m guessing there aren’t too many people in the world who wrote songs about transvestites and sang with Pavarotti. Lou Reed (pictured) is one of them. The “Take a Walk on the Wild Side” and “Perfect Day” (my favorite) composer brings his iconic self to the Electric Factory on Saturday. Meanwhile, onetime Bandstand regular Charlie Gracie, who is credited with being one of the country’s original rockers and who is from right here in Philadelphia, turns up at the Tin Angel on Saturday.
CONVENTION
The words “convention” and “fun” don’t normally go together, but in the case of the Philadelphia Tattoo Arts Convention, you could do worse. Get inked by some of the country’s best artists, or just take in appearances by the dastardly Suicide Girl pinup models (pictured). At the Sheraton through Sunday.
THEATER
In previews, there’s Dito van Reigersberg in Azuka Theatre Company’s production of Hedwig and the Angry Inch at the Latvian Society, and a puppetted version of Animal Farm at Mum Puppettheatre (they’ve been working on it for a year and a half, so it better be good!). The Arden opens Go, Dog, Go! for the kiddies on Saturday. And it’s your last chance to catch Philadelphia Theatre Company’s Third at the newish Suzanne Roberts Theatre.
Any gal who can make Neil Young’s craggy
MEN AND THEIR GUITARS
Your early guide to last-minute planning …