Departments Article |
Icons: The Voice of God
By Matthew Teague
THE WHOLE ENDEAVOR started, or so the story goes, with a handshake at a nightclub on the city’s edge.
In 1964, John Facenda strolled into the San Marco, a favorite nightspot on City Avenue for Philadelphia’s newsmen. People called City Avenue the “Golden Mile” then. It was a place full of swagger and splash. Much of that was due to television station WCAU’s move there in the ’50s — an extraordinary step, for a station to move its headquarters outside the city, and a boost for the area’s sense of cool.
In the San Marco, Facenda took off his hat — he always wore a hat — and took his seat at the bar. Through the cigarette smoke, he saw what was a novelty for a bar: a television. The black-and-white box meant more than easy entertainment, then. After decades of radio rule, television had taken over. Each evening the princes of the new medium broadcast the news from a few blocks away, then paraded down to the San Marco for drinks, and Facenda ruled them all. “He was the dean of broadcasters,” says Gerry Wilkinson, who now runs Broadcast Pioneers, a preservation society for Philadelphia’s television history. “He was first, and he was best.”
Down the bar, another man, Ed Sabol, watched the television as well. He worked as an aspiring filmmaker. The bar’s owner, keen to use his television to bring in business, had invited Sabol to show off some of his spectacular football highlight footage. And it was astonishing: slow-motion violence, players crashing and trampling, the high spiral of the ball dropping through snow into the waiting hands of a receiver.
Facenda marveled. He opened his mouth and his voice poured out, narrating the plays as they unfolded on the film. From down the bar, Sabol listened, then approached. “If I give you a script,” he asked Facenda, “could you repeat what you just did?”
The broadcaster said, “I’ll try.”
Facenda and Sabol shook hands, laying the foundation for an empire: NFL Films would go on to earn more than $50 million per year, change the way Americans watch football, and carry on for at least two generations, to their sons: Jack and Steve.
The handshake, however, wouldn’t hold up as well.
In 1964, John Facenda strolled into the San Marco, a favorite nightspot on City Avenue for Philadelphia’s newsmen. People called City Avenue the “Golden Mile” then. It was a place full of swagger and splash. Much of that was due to television station WCAU’s move there in the ’50s — an extraordinary step, for a station to move its headquarters outside the city, and a boost for the area’s sense of cool.
In the San Marco, Facenda took off his hat — he always wore a hat — and took his seat at the bar. Through the cigarette smoke, he saw what was a novelty for a bar: a television. The black-and-white box meant more than easy entertainment, then. After decades of radio rule, television had taken over. Each evening the princes of the new medium broadcast the news from a few blocks away, then paraded down to the San Marco for drinks, and Facenda ruled them all. “He was the dean of broadcasters,” says Gerry Wilkinson, who now runs Broadcast Pioneers, a preservation society for Philadelphia’s television history. “He was first, and he was best.”
Down the bar, another man, Ed Sabol, watched the television as well. He worked as an aspiring filmmaker. The bar’s owner, keen to use his television to bring in business, had invited Sabol to show off some of his spectacular football highlight footage. And it was astonishing: slow-motion violence, players crashing and trampling, the high spiral of the ball dropping through snow into the waiting hands of a receiver.
Facenda marveled. He opened his mouth and his voice poured out, narrating the plays as they unfolded on the film. From down the bar, Sabol listened, then approached. “If I give you a script,” he asked Facenda, “could you repeat what you just did?”
The broadcaster said, “I’ll try.”
Facenda and Sabol shook hands, laying the foundation for an empire: NFL Films would go on to earn more than $50 million per year, change the way Americans watch football, and carry on for at least two generations, to their sons: Jack and Steve.
The handshake, however, wouldn’t hold up as well.
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Posted by David | Jul. 21, 2009 at 3:46 AM
Posted by Craig | Oct. 11, 2009 at 9:58 PM