Feature Article |
Body Snatchers
By Dan P. Lee
The Opreas visited Rose at Luther Woods Convalescent Center as frequently as possible. Though she struggled to communicate, it was clear she was uncomfortable — she tried often to wiggle out of bed — and wished to be home. She once managed to express to her son her worry that she was causing trouble. He told her she was no trouble at all. Late on the night of April 18, 2005, the Opreas rushed to the nursing home after receiving a call that Rose was deteriorating rapidly. They stood at her bedside, holding her hands, trying their best to comfort her as she lay dying.
Obsession over what happens after death — not just to the soul but also to the physical self — has always been part of the human condition; for as far back as we can discern, human beings have taken steps to care for their dead. But what was once exclusively the province of families — literally, next of kin — has morphed into a $15 billion annual business in America. Society, with the considerable influence of the funeral industry, has come to consider the way a corpse is treated as a direct, final and lasting expression of the quantity and quality of love felt.
The Opreas had talked at length about what they wanted done with their bodies after their deaths. All disliked the idea of embalming and burial, and when the Opreas’ son died, they had his body cremated. Dan and his mother had made a pact years earlier, inspired by one of their favorite movies, Beau Geste, from 1939; it features a so-called Viking funeral, in which the body is put on a ship, lit on fire, and sent out to sea. Mother and son agreed that when she died, he’d have her cremated, place her ashes on a model ship, set it on fire, and launch it from the Atlantic City beach.
From the nursing home, Mary Rose phoned Charlie Mancini of Mancini Funeral Home, on Somerset Street in South Philadelphia, whom she’d known for years and who’d handled her son’s arrangements. After she hung up, she and Dan said one last goodbye, and left.
Mancini arrived some time later to take possession of Rose Oprea’s body. There was little for him to do but deliver it to the crematorium. There are just four crematoria in the City of Philadelphia, and Mancini always used one called Liberty, which was owned by Louis Garzone and his brother Gerald and their partner, James McCafferty Jr. Arriving at Liberty’s nondescript building in Kensington, Mancini wheeled the body of Rose Oprea inside, where it was to have been cremated following a 24-hour waiting period, in keeping with Pennsylvania law.
Two years later, when a Philadelphia detective showed up on their doorstep, the Opreas would learn what actually happened next: Once Mancini was gone, in the cloak of darkness, a shadowy figure — a man — walked across Somerset Street. He entered the crematorium, placed the body bag containing Rose Oprea’s remains on a gurney, and wheeled it back across the street, to a funeral home that Lou Garzone owned, where the cutters were waiting.
Obsession over what happens after death — not just to the soul but also to the physical self — has always been part of the human condition; for as far back as we can discern, human beings have taken steps to care for their dead. But what was once exclusively the province of families — literally, next of kin — has morphed into a $15 billion annual business in America. Society, with the considerable influence of the funeral industry, has come to consider the way a corpse is treated as a direct, final and lasting expression of the quantity and quality of love felt.
The Opreas had talked at length about what they wanted done with their bodies after their deaths. All disliked the idea of embalming and burial, and when the Opreas’ son died, they had his body cremated. Dan and his mother had made a pact years earlier, inspired by one of their favorite movies, Beau Geste, from 1939; it features a so-called Viking funeral, in which the body is put on a ship, lit on fire, and sent out to sea. Mother and son agreed that when she died, he’d have her cremated, place her ashes on a model ship, set it on fire, and launch it from the Atlantic City beach.
From the nursing home, Mary Rose phoned Charlie Mancini of Mancini Funeral Home, on Somerset Street in South Philadelphia, whom she’d known for years and who’d handled her son’s arrangements. After she hung up, she and Dan said one last goodbye, and left.
Mancini arrived some time later to take possession of Rose Oprea’s body. There was little for him to do but deliver it to the crematorium. There are just four crematoria in the City of Philadelphia, and Mancini always used one called Liberty, which was owned by Louis Garzone and his brother Gerald and their partner, James McCafferty Jr. Arriving at Liberty’s nondescript building in Kensington, Mancini wheeled the body of Rose Oprea inside, where it was to have been cremated following a 24-hour waiting period, in keeping with Pennsylvania law.
Two years later, when a Philadelphia detective showed up on their doorstep, the Opreas would learn what actually happened next: Once Mancini was gone, in the cloak of darkness, a shadowy figure — a man — walked across Somerset Street. He entered the crematorium, placed the body bag containing Rose Oprea’s remains on a gurney, and wheeled it back across the street, to a funeral home that Lou Garzone owned, where the cutters were waiting.
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